Francesco COLACE | INFORMATION TECHNOLOGIES FOR MUSIC PRODUCTION
Francesco COLACE INFORMATION TECHNOLOGIES FOR MUSIC PRODUCTION
cod. 0622400048
INFORMATION TECHNOLOGIES FOR MUSIC PRODUCTION
| 0622400048 | |
| DIPARTIMENTO DI INGEGNERIA INDUSTRIALE | |
| EQF7 | |
| ELECTRONIC ENGINEERING | |
| 2021/2022 |
| OBBLIGATORIO | |
| YEAR OF COURSE 1 | |
| YEAR OF DIDACTIC SYSTEM 2018 | |
| SPRING SEMESTER |
| SSD | CFU | HOURS | ACTIVITY | |
|---|---|---|---|---|
| INF/01 | 9 | 90 | LESSONS |
| Objectives | |
|---|---|
| THE COURSE AIMS AT INTRODUCING THE MAIN METHODOLOGICAL AND TECHNOLOGICAL APPROACHES FOR SOUND MANAGEMENT THROUGH INFORMATION TECHNOLOGIES. IN PARTICULAR, THE STUDENT WILL BE FAMILIAR WITH ALL THE METHODOLOGIES THAT CHARACTERISE THE PROCESS OF DIGITISING SOUND, FROM ITS GENERATION TO ITS PRESERVATION AND DISTRIBUTION. THE COURSE WILL ALSO PRESENT SOME MACHINE LEARNING TECHNIQUES FOR THE MANIPULATION OF MUSICAL ARTEFACTS. |
| Prerequisites | |
|---|---|
| NO PROPEDEUCITY |
| Contents | |
|---|---|
| DIGITALIZATION COMPRESSION AUDIO FORMATS O MPEG FORMAT AND ITS MOST IMPORTANT VARIANTS O MP1, MP2 AND MP3 O ADVANCED AUDIO FORMATS O SOME TOOLS: FFMPEG O MIDI PROTOCOL AND MIDI MESSAGES USEFUL AUDIO LIBRARIES AND SCRIPTS OF INTEREST O AUDIO FORMAT CONVERSION USING FFMPEG O PYTHON FOR MUSIC O READING, CONVERTING, EDITING AND WRITING AN AUDIO FILE SOUND MEDIA O DEGRADATION OF SOUND CARRIERS O AUDIO RESTORATION O EXAMPLES OF AUDIO EDITING AND RESTORATION (AUDACITY SOFTWARE - ADOBE AUDITION) O MUSICOLOGICAL ANALYSIS EXAMPLES (PRAAT - DPLOT) O MUSIC NOTATION SOFTWARE (FINALE NOTEPAD SIBELIUS) ARTIFICIAL INTELLIGENCE AND MUSIC: APPROACHES AND APPLICATIONS. MUSIC AT THE TIME OF THE WEB O COMPUTER NETWORKS O THE MAIN NETWORK PROTOCOLS FOR THE REPRODUCTION OF MULTIMEDIA CONTENT |
| Teaching Methods | |
|---|---|
| THE COURSE FORESEES - LECTURES - ASSISTED CLASSROOM EXERCISES. STUDENTS WILL BE ASKED TO DEVELOP, INDEPENDENTLY OR IN SMALL GROUPS, SUMMARY EXERCISES ON THE THEORETICAL TOPICS PREVIOUSLY INTRODUCED. - LABORATORY ACTIVITIES. STUDENTS WILL BE ASKED TO DEVELOP, THROUGH A PROBLEM-SOLVING APPROACH, PROJECT WORKS RELATED TO THE MAIN TOPICS DEVELOPED IN THE THEORETICAL PART. |
| Verification of learning | |
|---|---|
| TEACHING OBJECTIVES ACHIEVEMENT IS CERTIFIED BY AN EXAM WITH AN EVALUATION IN THIRTIETHS (THE MINIMUM LEVEL OF PASSING IS "18" AND THE MAXIMUM IS "30 CUM LAUDE"), WHICH INCLUDES AN ORAL TEST INCLUDING THE DISCUSSION OF A PROJECT WORK, PREVIOUSLY DEVELOPED, OF AN APPROXIMATE DURATION OF ONE HOUR. DURING THE EXAM, THE COMMISSION - VERIFIES THE LEVEL OF KNOWLEDGE OF THE TOPICS COVERED IN THE THEORY LESSONS; - VERIFIES THE ABILITY TO PRESENT ON A GIVEN TOPIC; - VERIFIES THE AUTONOMY OF JUDGMENT IN PROPOSING THE MOST APPROPRIATE APPROACH TO ARGUING WHAT IS REQUIRED. - ASCERTAINS THE STUDENT'S ABILITY TO IDENTIFY STRATEGIES FOR SOLVING COMPLEX PROBLEMS. SPECIFICALLY, THE ORAL TEST CONSISTS OF THREE QUESTIONS: THE FIRST ONE CONCERNS THE PROJECT WORK AND ITS SOLUTION STRATEGY, THE SECOND AND THIRD QUESTIONS WILL FOCUS ON THE TOPICS COVERED DURING THE LECTURES . THE STUDENT REACHES THE LEVEL OF EXCELLENCE IF HE/SHE DEMONSTRATES THE ABILITY TO MAKE CONNECTIONS BETWEEN THE THEORETICAL TOPICS COVERED AND DEMONSTRATES FULL MASTERY OF THE ACTIVITIES CARRIED OUT TO DEVELOP THE WRITTEN TEST. |
| Texts | |
|---|---|
| JAMES F. KUROSE, KEITH W. ROSS, COMPUTER NETWORKS AND THE INTERNET. A TOP-DOWN APPROACH, PEARSON M. MALCANGI: "INFORMATICA APPLICATA AL SUONO PER LA COMUNICAZIONE MUSICALE - MUSICAL DIGITAL AUDIO: TEORIA E PRATICA", MAGGIOLI EDITORE DEEP LEARNING TECHNIQUES FOR MUSIC GENERATION - SPRINGER |
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