Alfonso AMENDOLA | SOCIOLOGY OF ELECTRONIC ARTS
Alfonso AMENDOLA SOCIOLOGY OF ELECTRONIC ARTS
cod. 0322400038
SOCIOLOGY OF ELECTRONIC ARTS
| 0322400038 | |
| DEPARTMENT OF CULTURAL HERITAGE | |
| EQF7 | |
| ART HISTORY AND CRITICISM | |
| 2024/2025 |
| YEAR OF COURSE 2 | |
| YEAR OF DIDACTIC SYSTEM 2016 | |
| SPRING SEMESTER |
| SSD | CFU | HOURS | ACTIVITY | |
|---|---|---|---|---|
| SPS/08 | 6 | 30 | LESSONS |
| Exam | Date | Session | |
|---|---|---|---|
| APPELLO MAGGIO | 27/05/2025 - 11:30 | SESSIONE ORDINARIA | |
| APPELLO GIGUNO | 24/06/2025 - 11:30 | SESSIONE ORDINARIA | |
| APPELLO LUGLIO | 29/07/2025 - 11:30 | SESSIONE ORDINARIA | |
| APPELLO SETTEMBRE | 09/09/2025 - 11:30 | SESSIONE DI RECUPERO | |
| APPELLO DICEMBRE | 16/12/2025 - 11:30 | SESSIONE DI RECUPERO |
| Objectives | |
|---|---|
| THE COURSE'S OBJECTIVE IS TO PROVIDE THE STUDENT WITH AN UPDATED AND ANALYTICAL VIEW OF PHENOMENA OF AUDIOVISUAL EXPERIMENTATION. FROM THE 20TH CENTURY TO THE 21ST CENTURY. ONCE THE VANGUARD CONCEPTS ARE DEFINED, THE STUDENT WILL ACQUIRE A TRANSVERSAL KNOWLEDGE OF THE PATTERNS OF EXPERIMENTATION. THE RESULT OF LEARNING IS THE PRECISE UNDERSTANDING OF THE EVOLUTIONARY LINES OF CONTEMPORARY EXPERIMENTATION. BY FOLLOWING THIS LINEAR COURSE, THE STUDENT WILL BE ABLE TO CAPTURE / ANALYZE / UNDERSTAND HISTORY, THEORIES, METHODOLOGIES AND PRACTICE OF EXPERIMENTATION (ALSO THROUGH SPECIFIC LABORATORY EXERCISES AND SEMINAR MEETINGS WITH EVENTS AND CHARACTERS FROM THE MEDIA WORLD. |
| Prerequisites | |
|---|---|
| KNOWLEDGE OF CINEMA, NEW MEDIA, ART.. INTRODUCTION TO THE SOCIOLOGY OF CULTURE |
| Contents | |
|---|---|
| ELECTRONIC ARTS, MUSIC, POETRY, TECHNOLOGICAL ART, VIDEO-ART, COMPUTER ART, ART CINEMA, VIDEOCLIP, THE EXPERIMENTATION BETWEEN MASS CONSUMPTION AND CREATIVE INNOVATION. THE COURSE WILL HIGHLIGHT THE GRADUAL LINE OF EVOLUTION INHERENT THE HISTORY OF THE AVANT-GARDE AND CREATIVE PROCESSES (FROM HISTORICAL TO CONTEMPORARY) |
| Teaching Methods | |
|---|---|
| 30 HOURS. 6 CFU. TEACHING INCLUDES LECTURES AND SECTOR SEMINARS. TEACHING WILL THEREFORE BE DEVELOPED THROUGH FRONTAL LESSONS, EXERCISES, SEMINARS, AUDIOVISUAL PROJECTIONS. |
| Verification of learning | |
|---|---|
| AT THE END OF THE COURSE THE ORAL EXAMINATION WILL ALLOW THE ASSESSMENT OF THE ACQUIRED KNOWLEDGE. ADDITIONALLY, EXAMINERS WILL HAVE TO DISCUSS A CRITICAL WORK |
| Texts | |
|---|---|
| 1) FRANCESCO D’ISA, “LA RIVOLUZIONE ALGORITMICA DELLE IMMAGINI. ARTE E INTELLIGENZA ARTIFICIALE”, LUCA SOSSELLA, 2024. 2) ANDREA BALZOLA, PAOLO ROSA, “L’ARTE FUORI DI SÉ. UN MANIFESTO PER L’ETÀ POST-TECNOLOGICA”, FELTRINELLI, 2019. 3) ALFONSO AMENDOLA, “SOCIOLOGIA DELLA VIDEOART”, FDA, 2024. |
| More Information | |
|---|---|
| IN COLLABORATION WITH "OPEN CLASS. COMMUNICATION CRAFTS" |
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