Fabrizio DENUNZIO | MEDIA, CONFLICTS AND SUBJECTIVITY
Fabrizio DENUNZIO MEDIA, CONFLICTS AND SUBJECTIVITY
cod. 0322900051
MEDIA, CONFLICTS AND SUBJECTIVITY
| 0322900051 | |
| DIPARTIMENTO DI SCIENZE POLITICHE, SOCIALI E DELLA COMUNICAZIONE | |
| SOCIOLOGY AND POLICY-MAKING FROM A TERRITORIAL PERSPECTIVE | |
| 2014/2015 |
| OBBLIGATORIO | |
| YEAR OF COURSE 1 | |
| YEAR OF DIDACTIC SYSTEM 2011 | |
| SECONDO SEMESTRE |
| SSD | CFU | HOURS | ACTIVITY | |
|---|---|---|---|---|
| SPS/08 | 9 | 60 | LESSONS |
| Objectives | |
|---|---|
| PROVIDE ADEQUATE CULTURAL LENSES TO UNDERSTAND MEDIA MESSAGE CODES AND TOOLS. OFFER AN HISTORICAL BACKGROUND TO FACILITATE THE INTERPRETATION OF THE AUDIOVISUAL PRODUCTS. DEVELOP STUDENTS'' CAPABILITIES TO CREATE THEIR OWN CODES AND USE THEM IN THEIR ORIGINAL AUDIOVISUAL PRODUCTION. |
| Prerequisites | |
|---|---|
| None |
| Contents | |
|---|---|
| In the post-Fordist era of cognitive capitalism, social conflicts are increasingly taking a communicative dimension. The first part of the course will be devoted to the analysis of the traditional structures of social conflict. Then they will integrate into contemporary ones produced by the electronic media, in particular, we will focus on the general conflict between oral and writing and subjectivity that act. The second part of the course highlights how this form of communicative conflict worries the contemporary social sciences: anthropology, sociology and cultural studies. The third part of the course, finally, focuses on the way in which radio and television bring into concrete form this new dimension of social conflict. |
| Teaching Methods | |
|---|---|
| ANALYSIS OF ORIGINAL TEXTS, SUPPORTED BY AUDIOVISUAL MATERIALS AND THEIR DISCUSSION WITH THE STUDENTS; PRACTICAL EXERCITATIONS. |
| Verification of learning | |
|---|---|
| SEMINARS, FINAL EXPOSÉ , PRACTICAL TRAINING IN AUDIOVISUAL PRODUCTION AND TEST. |
| Texts | |
|---|---|
| PART ONE: L. A. COSER, LE FUNZIONI DEL CONFLITTO SOCIALE, FELTRINELLI, MILANO 1967. W. J. ONG, ORALITÀ E SCRITTURA. LE TECNOLOGIE DELLA PAROLA, IL MULINO, BOLOGNA 1986 (OR SUBSEQUENT EDITIONS). PART TWO (ONLY ONE OF THE FOLLOWING PATHS): ANTHROPOLOGICAL: C. LÉVI-STRAUSS, LA SOCIOLOGIA FRANCESE. DALLE ORIGINI AL 1945, MIMESIS, MILANO 2014 (WE RECOMMEND READING C. LÉVI-STRAUSS, TRISTI TROPICI, IL SAGGIATORE, IN ANY EDITION). SOCIOLOGICAL: P. MACHEREY, GEOMETRIA DELLO SPAZIO SOCIALE. PIERRE BOURDIEU E LA FILOSOFIA, OMBRE CORTE, VERONA 2014 (WE RECOMMEND READING P. BOURDIEU, PER UNA TEORIA DELLA PRATICA, RAFFAELLO CORTINA EDITORE, MILANO 2003). CULTURALIST: R. WILLIAMS, Il dottor Caligari a Cambridge. Dramma e classi popolari nel cinema, OMBRE CORTE, VERONA 2015 (WE RECOMMEND READING R. WILLIAMS, TELEVISIONE. TECNOLOGIA E FORMA CULTURALE, EDITORI RIUNITI, ROMA, 2000). PART THREE (ONLY ONE OF THE FOLLOWING PATHS): RADIO: F. DENUNZIO, METAMORFOSI E POTERE. IL CONFLITTO VITALE TRA CANETTI E ADORNO, OMBRE CORTE, VERONA 2013. TELEVISION: F. DENUNZIO, THE TUBE. PYNCHON E L’IMMAGINARIO DOPO LA TV, LIGUORI, NAPOLI 2012 (WE RECOMMEND READING THE NOVEL OF T. PYNCHON, VINELAND, RIZZOLI, IN ANY EDITION). |
| More Information | |
|---|---|
| None |
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