Pasquale IACCIO | HISTORY OF FILM
Pasquale IACCIO HISTORY OF FILM
cod. 0312200025
HISTORY OF FILM
| 0312200025 | |
| DIPARTIMENTO DI SCIENZE POLITICHE E DELLA COMUNICAZIONE | |
| EQF6 | |
| COMMUNICATION SCIENCES | |
| 2018/2019 |
| OBBLIGATORIO | |
| YEAR OF COURSE 3 | |
| YEAR OF DIDACTIC SYSTEM 2016 | |
| PRIMO SEMESTRE |
| SSD | CFU | HOURS | ACTIVITY | |
|---|---|---|---|---|
| L-ART/06 | 9 | 60 | LESSONS |
| Objectives | |
|---|---|
| The course aims to provide students with the basic elements of the discipline, through the analysis of the historical events of Italian cinema from its origins to the present day, and of their technical, social and spectacular aspects. Knowledge and understanding: The student will acquire good knowledge of the world of Italian cinema and will become aware of the relationship that the moving images have established with the world of entertainment and with contemporary society. Applying knowledge and understanding: Students will acquire the ability to apply what they have learned in class in order to build their own critical view on cinematic universe, in relation to society and to the forms of contemporary arts. |
| Prerequisites | |
|---|---|
| ITALIAN TWENTIETH CENTURY HISTORY GENERAL KNOWLEDGE |
| Contents | |
|---|---|
| THE COURSE AIMS TO PRESENT, FIRSTLY, A PANORAMA OF THE UNIVERSE CINEMA THROUGH LECTURES, SCREENINGS OF AUDIOVISUAL MATERIALS (FICTION AND DOCUMENTARIES), ANALYSIS OF TEXTS AND OTHER MOVIES. ON THIS BASIS, WILL BE STUDIED CHANGE SPECIFIC CINEMATIC THEMES, GENRES, WORKS AND AUTHORS |
| Teaching Methods | |
|---|---|
| THE COURSE FOCUSES ON THE COMBINATION OF SEVERAL COMPONENTS: THE HISTORICAL, THEORETICAL AND METHODOLOGICAL LESSONS, THE VISUAL OF PROJECTIONS, AND COMMENTS, THE STUDY OF TEXTS ADOPTED, THE MEETING WITH SOME INVITED PLAYERS OF ITALIAN CINEMA AT THE UNIVERSITY OF SALERNO. |
| Verification of learning | |
|---|---|
| THE ORAL EXAM WILL VERIFY KNOWLEDGE OF AUTHORS, WORKS AND ISSUES RELATED TO THE HISTORY OF CINEMA, AS WELL AS THE ABILITY TO PRESENT IN A CLEAR AND CORRECT WHAT HAS BEEN LEARNED. |
| Texts | |
|---|---|
| 1)GIAN PIERO BRUNETTA, GUIDA ALLA STORIA DEL CINEMA ITALIANO 1905-2003, EINAUDI, TORINO 2003. 2)PASQUALE IACCIO (A CURA DI), NAPOLI D’ALTRI TEMPI. LA CAMPANIA DAL CINEMA MUTO A “PAISÀ”, LIGUORI, NAPOLI 2014. (PARTE TERZA, P. 194 A P. 265). 3)A MONOGRAPHIC TEXT OF YOUR CHOICE FROM THE FOLLOWING: : (A) P. IACCIO, IL MEZZOGIORNO TRA CINEMA E STORIA. RICORDI E TESTIMONIANZE, LIGUORI, NAPOLI 2002. (B) P. IACCIO (A CURA DI), ROSSELLINI. DAL NEOREALISMO ALLA DIFFUSIONE DELLA CONOSCENZA. CON UNO SCRITTO DI ROBERTO ROSSELLINI, LIGUORI, NAPOLI 2006. (C) FERDINANDO MADDALONI, CINEMA E RECITAZIONE. DALLA CHIASSOSA ARTE DEL SILENZIO ALL’IMPROVVISAZIONE TELEVISIVA, LIGUORI, NAPOLI 2008. ( YOU MUST STUDY ALSO DVD CONTEINED IN THIS BOOK). (D) P. IACCIO (A CURA DI), NON SOLO SCIPIONE. IL CINEMA DI CARMINE GALLONE, LIGUORI, NAPOLI 2003. (E) D. DEL POZZO- V. ESPOSITO, ROCK AROUND THE SCREEN: STORIE DI CINEMA E MUSICA POP, LIGUORI, NAPOLI 2010 4) VISION OF A CERTAIN NUMBER OF FILMS CHOSEN BY THE STUDENT. (A) THE ATTENDING STUDENTS MAY INCLUDE 20 MOVIES, AMONG THE WORKS PRESENTED AND ANALYZED DURING THE COURSE OR THOSE PERFORMED IN SIDE EVENTS AT THE SALERNO UNIVERSITY . (B) THE NON-ATTENDING STUDENTS SHOULD CHOSE 30 MOVIES AMONG THE MOST CITED WORKS IN THE TEXTS ADOPTED |
| More Information | |
|---|---|
| IT IS STRONGLY RECOMMENDED TO USE THE PRINTED TEXTS, AND NOT TO RESORT TO PHOTOCOPYING OR OTHER MAKESHIFT SUBSTITUTES. STUDENTS ARE REMINDED THAT ALL BOOKS ADOPTED, AS WITH PREVIOUS COURSES, ARE PRESENT IN THE UNIVERSITY LIBRARY |
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