Donato Antonio Lorenzo SALVATORE | Curriculum

Associate Professor of the History of modern art (S.S.D. L-ART/02)
Department of Heritage Science (Cultural Heritage, Philosophy, Sources and Texts, Territorial Studies), University of Salerno - Dipartimento di Scienze del Patrimonio Culturale (DiSPaC), Università degli Studi di Salerno – via Giovanni Paolo II, 132 – 84084 – Fisciano (SA)
ACADEMIC POSITION
2006, March 1st – Present – Associate Professor of History of modern art (L-ART/02) at University of Salerno, confirmed in the role with effect from 2009 March, 1st
1996, December 23rd - 2006, February 28th – University Researcher (Lecturer) at University of Salerno - S.S.D. L-ART/02 (former L25B) – History of modern art; confirmed in the role with effect from 1999, December 23rd
EDUCATION
1995, October 10th – PhD, ‘Historical studies of medieval, modern and contemporary art. History and criticism of visual arts in southern Italy’, University of Naples ‘Federico II’ (Discipline storiche dell’arte medioevale, moderna e contemporanea. Storia e critica delle arti figurative nell’Italia meridionale’, Università degli Studi di Napoli ‘Federico II’)
1991, July 1st – Post-Graduated cum laude in specialization course of ‘History of medieval and modern art’ (70/70 e lode), University of Naples ‘Federico II’
1987, June 30th – Degree cum laude in Humanities, Modern Studies, University of Naples ‘Federico II’ [Laurea in Lettere, indirizzo moderno (110/110 e lode), Università degli Studi di Napoli ‘Federico II’]
ACADEMIC RESPONSABILITIES AND ACTIVITIES
2016/2017 – Present – Project manager of the History of art, aestethics, visual languages curriculum (‘Storia dell’arte, estetica, linguaggi delle immagini’) of the PhD ‘Methods and Methodologies of Archeological and Historical-Artistic Research’ (Metodi e Metodologie della ricerca archeologica e storico-artistica), Department of Heritage Science, University of Salerno
2014, July 1st - Present – Member of the Commission for performing and research activities of the University of Salerno Theatre
2013 - Present (from XXIX series) – Member of the Board of Teachers of the PhD ‘Methods and Methodologies of Archeological and Historical-Artistic Research’ (Metodi e Metodologie della ricerca archeologica e storico-artistica), Department of Heritage Science, University of Salerno
2013, November 1st - Present – He is taking part to the research projects CHIS e SNECS (PON03PE) of the High Tecnology Consortium for Cultural Heritage - Distretto ad Alta Tecnologia per i Beni Culturali (DATABENC)
2015, March 2nd/6th – Mobility Agreement for Teaching, receiving institution: Université Paris Ouest Nanterre
2013, February - 2014, September 30th – President of the Teaching Council (former Teaching Area) of Visual Arts, Music and Entertainment Sciences (Discipline delle Arti e dello Spettacolo), Department of Heritage Science, University of Salerno
2012, July - 2017, October – Member of the department Commission for the allocation of funding, Department of Heritage Science, University of Salerno
2011, March 29th – 2014, September 30th – Member of the Board of the Department of Heritage Science, University of Salerno
2010, October 1st - 2013, October 31st – Member of the Teaching Commission of the Faculty of Foreign Languages and Literatures, University of Salerno
2009, December 16th - 2013, February – President of the Teaching Area of Visual Arts, Music and Entertainment Sciences, Faculty of Foreign Languages and Literatures, University of Salerno
2001 - 2012 (from XVII to XXVIII series) Member of the Board of Teachers of the PhD ‘Italian Studies. Literature among historical and geographic areas and the interplay of studies’ (Italianistica. La letteratura tra ambiti storico-geografici e interferenze disciplinari), Department of the Humanities, University of Salerno
2009, May – Member of the Commission for granting the PhD ‘Instruments and methods for the History of Art’ (Strumenti e metodi per la Storia dell’arte), Department of History of Art, University ‘Sapienza’ of Rome
OTHER RESPONSABILITIES AND ACTIVITIES
2017, October 12th – Present – Supervisor of the Governance Board and member of the Governance Council of the Centre of Studies on southern Italy visual culture ‘Giovanni Previtali’ (Centro Studi sulla Civiltà artistica dell’Italia meridionale ‘Giovanni Previtali’)
2011, May/December – Member of the Regional Commission for the professional qualification of Tourist Guide of Campania Region
Invited speaker to recent international Seminars and Conferences:
2018, April 13th and 20th: Padula, Certosa di San Lorenzo
Ritorno al Cilento. I seminari di storia dell'arte e archeologia, with a speech entitled: Qualche considerazione sul 'Maestro di Vallo della Lucania'
2017, June 16th: Teggiano, Museo Diocesano
Ritorno al Cilento. Seminari di Storia dell’arte, with a speech entitled: Testimonianze della pittura del ‘400 tra Cilento e Napoli
2016, November 15-16th: Fisciano, Università degli Studi di Salerno
L’Italia di Julius von Schlosser, by Loredana Lorizzo and Sebastian Schütze, title of the presented speech: Schlosser e la pubblicazione della Lettera di Pietro Summonte a Marco Antonio Michiel
2016, June 9-10th: Roma, Archivio di Stato e Archivio Storico Capitolino
Gli Orsini e i Savelli nella Roma dei papi. Arte e mecenatismo di antichi casati dal feudo alle corti barocche europee. Confronti e prospettive, speech presented: Gli “uomini illustri” Orsini tra Roma e Napoli
2016, May 10th: Salerno, Palazzo di Città, Salone dei Marmi
‘Conversazioni con la città. La bellezza dei secoli a Salerno’ (series of lectures by Donato Salvatore)
Da Duomo a Duomo: testimonianze della Salerno rinascimentale
2016, March 11th: Napoli, Gallerie d’Italia – Palazzo Zevallos Stigliano
Napoli e la Spagna nel Cinquecento. Gli artisti, le opere, la storiografia, by Letizia Gaeta, speech entitled: Qualche appunto su un committente spagnolo a Napoli: il priore di Santa Maria delle Grazie a Caponapoli fra Martino ‘Yspano’ de Frexinal.

His main research activities concern the fifteenth century painting in Italy and Europe, with particular reference to the context of the Angevin and Aragonese kingdom of Naples in its relations with the rest of the Peninsula, with Flanders and with the countries of the Mediterranean basin. He has recently published (2011) a monograph on the Quattrocento painter Melozzo da Forlì.