COMPARATIVE HISTORY OF MODERN EUROPEAN ART

Donato Antonio Lorenzo SALVATORE COMPARATIVE HISTORY OF MODERN EUROPEAN ART

0322400022
DEPARTMENT OF CULTURAL HERITAGE
EQF7
ART HISTORY AND CRITICISM
2019/2020

YEAR OF COURSE 1
YEAR OF DIDACTIC SYSTEM 2016
SECONDO SEMESTRE
CFUHOURSACTIVITY
630LESSONS
Objectives
THE COURSE AIMS TO PROVIDE DEEPENED KNOWLEDGE AND ADEQUATE METHODS OF ANALYSIS OF SOME OF THE MOST SIGNIFICANT ASPECTS OF EUROPEAN ARTISTIC PRODUCTION, IN CONNECTION WITH THE ITALIAN CULTURAL CONTEXT, DURING MODERN ART AGE. THROUGH THE COMPARATIVE WORK ANALYSIS AND THE RECONSTRUCTION OF THE ACTIVITY OF THE PROTAGONISTS, EXAMPLES OF EFFECTIVE INTERFERENCE BETWEEN THE ART OF EUROPE AND THE ART OF ITALY IN THE MODERN ERA WILL BE ILLUSTRATED.
Prerequisites
GOOD KNOWLEDGE OF EUROPEAN GEOGRAPHY AND MODERN AGE HISTORY.
Contents
THE PORTRAIT IN THE FIGURATIVE ART OF ITALY AND EUROPE BETWEEN THE FIFTEENTH AND SIXTEENTH CENTURIES.
Teaching Methods
30 HOURS OF CLASS LECTURES.
Verification of learning
FINAL ORAL EXAM WITH THIRTY AS OVERALL TOP MARK.
Texts
ENRICO CASTELNUOVO, IL SIGNIFICATO DEL RITRATTO PITTORICO NELLA SOCIETÀ, IN STORIA D'ITALIA, V, 5, TORINO, EINAUDI, 1973, PP. 1033-1075.
More Information
DEEPLY RECOMMENDED ATTENDANCE. UPLOADED POWER POINT PRESENTATIONS WILL BE AT STUDENTS' DISPOSAL DURING THE LESSONS.
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