Donato Antonio Lorenzo SALVATORE | COMPARATIVE HISTORY OF MODERN EUROPEAN ART
Donato Antonio Lorenzo SALVATORE COMPARATIVE HISTORY OF MODERN EUROPEAN ART
cod. 0322400022
COMPARATIVE HISTORY OF MODERN EUROPEAN ART
0322400022 | |
DEPARTMENT OF CULTURAL HERITAGE | |
EQF7 | |
ART HISTORY AND CRITICISM | |
2019/2020 |
YEAR OF COURSE 1 | |
YEAR OF DIDACTIC SYSTEM 2016 | |
SECONDO SEMESTRE |
SSD | CFU | HOURS | ACTIVITY | |
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L-ART/02 | 6 | 30 | LESSONS |
Objectives | |
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THE COURSE AIMS TO PROVIDE DEEPENED KNOWLEDGE AND ADEQUATE METHODS OF ANALYSIS OF SOME OF THE MOST SIGNIFICANT ASPECTS OF EUROPEAN ARTISTIC PRODUCTION, IN CONNECTION WITH THE ITALIAN CULTURAL CONTEXT, DURING MODERN ART AGE. THROUGH THE COMPARATIVE WORK ANALYSIS AND THE RECONSTRUCTION OF THE ACTIVITY OF THE PROTAGONISTS, EXAMPLES OF EFFECTIVE INTERFERENCE BETWEEN THE ART OF EUROPE AND THE ART OF ITALY IN THE MODERN ERA WILL BE ILLUSTRATED. |
Prerequisites | |
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GOOD KNOWLEDGE OF EUROPEAN GEOGRAPHY AND MODERN AGE HISTORY. |
Contents | |
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THE PORTRAIT IN THE FIGURATIVE ART OF ITALY AND EUROPE BETWEEN THE FIFTEENTH AND SIXTEENTH CENTURIES. |
Teaching Methods | |
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30 HOURS OF CLASS LECTURES. |
Verification of learning | |
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FINAL ORAL EXAM WITH THIRTY AS OVERALL TOP MARK. |
Texts | |
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ENRICO CASTELNUOVO, IL SIGNIFICATO DEL RITRATTO PITTORICO NELLA SOCIETÀ, IN STORIA D'ITALIA, V, 5, TORINO, EINAUDI, 1973, PP. 1033-1075. |
More Information | |
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DEEPLY RECOMMENDED ATTENDANCE. UPLOADED POWER POINT PRESENTATIONS WILL BE AT STUDENTS' DISPOSAL DURING THE LESSONS. |
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