Aurora Maria EGIDIO | ACTING AND PERFORMANCE THEORY
Aurora Maria EGIDIO ACTING AND PERFORMANCE THEORY
cod. 4322200089
ACTING AND PERFORMANCE THEORY
| 4322200089 | |
| DEPARTMENT OF CULTURAL HERITAGE | |
| EQF7 | |
| THEATRE AND MEDIA STUDIES | |
| 2024/2025 |
| YEAR OF COURSE 2 | |
| YEAR OF DIDACTIC SYSTEM 2020 | |
| SPRING SEMESTER |
| SSD | CFU | HOURS | ACTIVITY | |
|---|---|---|---|---|
| L-ART/05 | 9 | 45 | LESSONS |
| Exam | Date | Session | |
|---|---|---|---|
| APPELLO GENNAIO | 09/01/2025 - 10:00 | SESSIONE DI RECUPERO | |
| APPELLO FEBBRAIO | 05/02/2025 - 10:00 | SESSIONE DI RECUPERO |
| Objectives | |
|---|---|
| GENERAL LEARNING OUTCOMES: THE COURSE AIMS TO PROVIDE STUDENTS WITH IN-DEPTH KNOWLEDGE OF THE MAIN THEORIES OF ACTING AND PERFORMANCE DEVELOPED BETWEEN THE NINETEENTH AND TWENTIETH CENTURIES, USING THE ANALYSIS OF TEXTS, DOCUMENTS AND MATERIALS, USEFUL FOR A CORRECT CLASSIFICATION OF THE MODELS EXAMINED KNOWLEDGE AND UNDERSTANDING: THE STUDENT - WILL KNOW A SPECIFIC ASPECT OF CONTEMPORARY THEATRE - WILL UNDERSTAND HOW TO DYNAMICALLY RELATE IT TO OTHER THEATRICAL ELEMENTS APPLYING KNOWLEDGE AND UNDERSTANDING: THROUGH THE COURSE THE STUDENT WILL BE ABLE TO - ANALYZE IN DETAIL AND WITH PERTINENT LANGUAGE THE THEORIES EXAMINED - FRAMING WITH CLARITY AND PRECISION THE MAIN ACTING SYSTEMS DEVELOPED IN CONTEMPORARY THEATRE MAKING JUDGMENTS: STUDENTS WILL DEVELOP CONCEPTUAL TOOLS AND CRITICAL SKILLS FOR AUTONOMOUSLY EVALUATING METHODOLOGICAL-HISTORICAL ISSUES, SOURCES, MATERIALS AND SPECIFIC LANGUAGES OF THE THEATRICAL DISCIPLINES, AS WELL AS OF OTHER ARTISTIC DISCIPLINES. COMMUNICATION SKILLS: STUDENTS WILL BE ABLE TO COMMUNICATE THEIR KNOWLEDGE AT DIFFERENT LEVELS (BOTH TO AN AUDIENCE OF EXPERTS AND TO ONE OF NON-SPECIALISTS), WITH SPECIFIC LANGUAGE PROPERTIES AND LEXICAL SKILLS, AND USING THE MOST APPROPRIATE KIND OF LANGUAGE FOR EACH CIRCUMSTANCE. LEARNING SKILLS: STUDENTS WILL BE ABLE TO UNDERSTAND AND INTERPRET COMPLEX TEXTS AND USE BIBLIOGRAPHIC TOOLS, TO IDENTIFY AND SELECT THE SCIENTIFIC LITERATURE USEFUL FOR INCREASING THEIR KNOWLEDGE |
| Prerequisites | |
|---|---|
| THE COURSE REQUIRES KNOWLEDGE OF THE HISTORY OF MODERN AND CONTEMPORARY THEATRE |
| Contents | |
|---|---|
| THE ACTOR IN THE AVANTGARDE OF THE TWENTIETH CENTURY. MAIN TOPICS: FROM THE ÜBERMARIONETTE TO THE NEW MARIONETTES; STANISLAVSKIJ; MEYERHOLD; BODY PERFORMANCE. |
| Teaching Methods | |
|---|---|
| LECTURES, ANALYSIS OF DOCUMENTS AND MATERIALS. SCREENINGS OF THEATRICAL PERFORMANCES. FREQUENCY STRONGLY RECOMMENDED |
| Verification of learning | |
|---|---|
| ORAL EXAM |
| Texts | |
|---|---|
| - MARIONETTE E AVANGUARDIA, A CURA DI J.M. BRADBURNE, FONDAZIONE PALAZZO MAGNANI, 2023 (PARTI SCELTE) - L. MANGO, STUDIARE LA RECITAZIONE NELL'EPOCA DELLE AVANGUARDIE, «ACTING ARCHIVES REVIEW», 2015, N. 9, PP. 19-58 (ARTICLE ONLINE HTTPS://WWW.ACTINGARCHIVES.IT/REVIEW/ARCHIVIO-NUMERI/17-ANNO-V-NUMERO-09-MAGGIO-2015.HTML) - L. MANGO, IL NOVECENTO DEL TEATRO. UNA STORIA, CAROCCI, 2019 (PP. 139-163; PP. 249-257). - V. SCERBAKOV, NOTE SULLA SCUOLA DI RECITAZIONE DI MEJRCHOL'D, «ACTING ARCHIVES REVIEW», 2022, N. 24, PP. 32-53 (ARTICOLO ONLINE HTTPS://WWW.ACTINGARCHIVES.IT/REVIEW/ARCHIVIO-NUMERI/36-ANNO-XII-NUMERO-24-NOVEMBRE-2022.HTML) - K. STANISLAVSKIJ, IL LAVORO DELL'ATTORE SU SE STESSO, LATERZA (SELECTED PARTS) - V. MEJERCHOL'D, L'ATTORE BIOMECCANICO, CUE PRESS (SELECTED PARTS) FURTHER BIBLIOGRAPHICAL INDICATIONS WILL BE GIVEN. |
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