Annamaria SAPIENZA | THEORIES AND MODELS OF CONTEMPORARY THEATRE
Annamaria SAPIENZA THEORIES AND MODELS OF CONTEMPORARY THEATRE
cod. 4322200058
THEORIES AND MODELS OF CONTEMPORARY THEATRE
| 4322200058 | |
| DEPARTMENT OF CULTURAL HERITAGE | |
| EQF7 | |
| THEATRE AND MEDIA STUDIES | |
| 2019/2020 |
| YEAR OF COURSE 2 | |
| YEAR OF DIDACTIC SYSTEM 2016 | |
| PRIMO SEMESTRE |
| SSD | CFU | HOURS | ACTIVITY | |
|---|---|---|---|---|
| L-ART/05 | 9 | 45 | LESSONS |
| Objectives | |
|---|---|
| THE AIM OF THE COURSE IS FOR STUDENTS TO ACQUIRE A THEORETICAL APPROACH TO THE FUNDAMENTAL THEMES OF CONTEMPORARY THEATRE. KNOWLEDGE AND UNDERSTANDING STUDENTS WILL ACQUIRE ADVANCED KNOWLEDGE OF THE THEATRICAL PHENOMENA OF THE CONTEMPORARY AGE AND WILL LEARN HOW TO USE THE NECESSARY HISTORICAL-METHODOLOGICAL TOOLS. APPLYING KNOWLEDGE AND UNDERSTANDING THE STUDENT WILL BE ABLE TO UNDERTAKE A CRITICAL READING OF THE VARIOUS PHENOMENA OF CONTEMPORARY THEATRE THROUGH FUNDAMENTAL THEORETICAL THREADS AND EMBLEMATIC MODELS. |
| Prerequisites | |
|---|---|
| GOOD KNOWLEDGE OF HISTORY OF THEATRE |
| Contents | |
|---|---|
| THROUGH THE STUDY OF MAIN THEATRE THEORIES SINCE THE END OF '800, THE COURSE AIMS TO PROVIDE STUDENTS THE DATAILS UNDERSTANDING THE EVOLUTIONOF THE ART OF THE THEATRE OF '900 THROUGH ITS PECULIAR EXPRESSIONS (ACTING, DANCE, MIME). ANALYSIS OF EMBLEMATIC EXPERIENCES THAT BELONG TO THIS PHENOMENON (PAPER AND SCREENINGS) AIMS TO PROVIDE THE METHODOLOGY TOOLS FOR A CRITICAL UNDERSTANDING OF A PECULIAR MOMENT OF CONTEMPORARY EUROPEAN THEATRE. THE STUDENT WILL BE ABLE TO COMMUNICATE AND INTERPRETING DATA AND INFORMATION TO IMPROVE ONE OR MORE SPECIFIC AREAS OF STUDY, EVEN INDIPENDENTLEY IDENTIFIED. |
| Teaching Methods | |
|---|---|
| LESSONS, LECTURES AND ANALYSIS OF IMAGES AND VIDEO |
| Verification of learning | |
|---|---|
| DURING THE ORAL EXAM THERE WILL BE AN ASSESSMENT OF THE DEGREE OF KNOWLEDGE ACHIEVED AND THE RELATIVE LEVEL OF APPRECIATION. IN PARTICULAR, THE STUDENT WILL HAVE TO • ANSWER QUESTIONS ON THE EXAM BIBLIOGRAPHY WITHIN THE REMIT OF THE BASIC THEORIES OF CONTEMPORARY THEATRE • DISCUSS ANALYTICALLY AND CRITICALLY THE ICONOGRAPHIC AND VIDEO MATERIAL EXAMINED IN CLASS • COMMENT ON A PASSAGE CHOSEN FROM THE THEORETICAL TEXTS OF THE SYLLABUS |
| Texts | |
|---|---|
| L. MANGO, IL NOVECENTO DEL TEATRO. UNA STORIA, ROMA, CAROCCI, 2019. B.BRECHT, SCRITTI TEATRALI, EINAUDI. CAPITOLI: -TEATRO DI DIVERTIMENTO O TEATRO DI INSEGNAMENTO; -EFFETTI DI STRANIAMENTONELL'ARTE SCENICA CINESE; -LA SCENA DI STRADA; -NUOVA TECNICA DELL'ARTE DRAMMATICA; -NOTE SUL TEATRO POPOLARE; -EFFETTO INTIMIDATORIO DEI CLASSICI; -BREVIARIO DI ESTETICA TEATRALE. A. ARTAUD, IL TEATRO E IL SUO DOPPIO, EINAUDI. PARAGRAFI INCLUSI NELLA PARTE INTITOLATA "IL TEATRO E IL SUO DOPPIO". M. DE MARINIS, IL NUOVO TEATRO (BOMPIANI), CAPP., III, IV, IX. |
| More Information | |
|---|---|
| FREQUENCY STRONGLY RECOMMENDED |
BETA VERSION Data source ESSE3 [Ultima Sincronizzazione: 2021-02-19]
