Annamaria SAPIENZA | THEORIES AND MODELS OF CONTEMPORARY THEATRE
Annamaria SAPIENZA THEORIES AND MODELS OF CONTEMPORARY THEATRE
cod. 4322200058
THEORIES AND MODELS OF CONTEMPORARY THEATRE
| 4322200058 | |
| DEPARTMENT OF CULTURAL HERITAGE | |
| EQF7 | |
| THEATRE AND MEDIA STUDIES | |
| 2020/2021 |
| YEAR OF COURSE 2 | |
| YEAR OF DIDACTIC SYSTEM 2016 | |
| PRIMO SEMESTRE |
| SSD | CFU | HOURS | ACTIVITY | |
|---|---|---|---|---|
| L-ART/05 | 9 | 45 | LESSONS |
| Objectives | |
|---|---|
| THE AIM OF THE COURSE IS FOR STUDENTS TO ACQUIRE A THEORICAL APPROACH TO THE FUNDAMENTAL THEMES OF THEATRE FROM ‘900 TO THE PRESENT |
| Prerequisites | |
|---|---|
| GOOD KNOWLEDGE OF HISTORY OF THEATRE |
| Contents | |
|---|---|
| THROUGH THE STUDY OF MAIN THEATRE THEORIES SINCE THE END OF '800, THE COURSE AIMS TO PROVIDE STUDENTS THE DATAILS UNDERSTANDING THE EVOLUTIONOF THE ART OF THE THEATRE OF '900 THROUGH ITS PECULIAR EXPRESSIONS (ACTING, DANCE, MIME). ANALYSIS OF EMBLEMATIC EXPERIENCES THAT BELONG TO THIS PHENOMENON (PAPER AND SCREENINGS) AIMS TO PROVIDE THE METHODOLOGY TOOLS FOR A CRITICAL UNDERSTANDING OF A PECULIAR MOMENT OF CONTEMPORARY EUROPEAN THEATRE. THE STUDENT WILL BE ABLE TO COMMUNICATE AND INTERPRETING DATA AND INFORMATION TO IMPROVE ONE OR MORE SPECIFIC AREAS OF STUDY, EVEN INDIPENDENTLEY IDENTIFIED. |
| Teaching Methods | |
|---|---|
LESSONS, LECTURES AND ANALYSIS OF IMAGES AND VIDEO |
| Verification of learning | |
|---|---|
| DURING THE ORAL EXAM THERE WILL BE AN ASSESSMENT OF THE DEGREE OF KNOWLWDGE ACHIEVED AND THE RELATIVE LEVEL OF APPRECIATION. IN PARTICULAR THE STUDENT WULL HAVE TO: • ANSWER QUESTIONS ON THE EXAM BIBLIOGRAPHY WITHIN THE REMIT OF THE BASIC THEORIES OF CONTEMPORARY THEATRE; • DISCUSS ANALYTICALLY AND CRITICALLY THE ICONOGRAPHIC AND VIDEO MATERIAL EXAMINED IN CLASS; • COMMENT ON A PASSAGE CHOSEN FROM THE THEORETICAL TEXTS OF THE SYLLABUS. |
| Texts | |
|---|---|
| M. CAMBIAGHI, A. EGIDIO, I. INNAMORATI, A. SAPIENZA, STORIA DEL TEATRO, PEARSON (IN PRESS), CHAPT. 7 E 8. G. CRAIG, IL MIO TEATRO (ON LINE VERSION). B.BRECHT, SCRITTI TEATRALI, EINAUDI. CAPITOLI: -TEATRO DI DIVERTIMENTO O TEATRO DI INSEGNAMENTO; -EFFETTI DI STRANIAMENTO NELL'ARTE SCENICA CINESE; -LA SCENA DI STRADA; -NUOVA TECNICA DELL'ARTE DRAMMATICA; -NOTE SUL TEATRO POPOLARE; -EFFETTO INTIMIDATORIO DEI CLASSICI; -BREVIARIO DI ESTETICA TEATRALE. A. ARTAUD, IL TEATRO E IL SUO DOPPIO, EINAUDI. PARAGRAFI INCLUSI NELLA PARTE INTITOLATA "IL TEATRO E IL SUO DOPPIO". FURTHER INFORMATION WILL BE PROVIDED DURING THE LESSONS |
| More Information | |
|---|---|
FREQUENCY STRONGLY RECOMMENDED |
BETA VERSION Data source ESSE3 [Ultima Sincronizzazione: 2022-05-23]
