Annamaria SAPIENZA | DRAMATURGY
Annamaria SAPIENZA DRAMATURGY
cod. 4312400019
DRAMATURGY
| 4312400019 | |
| DEPARTMENT OF CULTURAL HERITAGE | |
| EQF6 | |
| DISCIPLINE DELLE ARTI VISIVE, DELLA MUSICA E DELLO SPETTACOLO | |
| 2020/2021 |
| OBBLIGATORIO | |
| YEAR OF COURSE 2 | |
| YEAR OF DIDACTIC SYSTEM 2017 | |
| PRIMO SEMESTRE |
| SSD | CFU | HOURS | ACTIVITY | |
|---|---|---|---|---|
| L-ART/05 | 9 | 45 | LESSONS |
| Objectives | |
|---|---|
| THE COURSE AIMS AT PROVIDING STUDENTS WITH THE FUNDAMENTALS OF THE DISCIPLINE THROUGH THE ANALYSIS OF AUTHORS, ACTORS, DIRECTORS AND WORKS, IN REGARD TO THE DYNAMICS OF THE STAGING. KNOWLEDGE AND UNDERSTANDING: STUDENTS WILL GAIN KNOWLEDGE OF THE HISTORICAL EVOLUTION OF PLAYWRITING, AND WILL UNDERSTAND HOW A LITERARY TEXT IS TRANSFORMED INTO A DRAMATIC SCRIPT. APPLYING KNOWLEDGE AND UNDERSTANDING: STUDENTS WILL GAIN CRITICAL METHODOLOGIES TO ADDRESS THE ANALYSIS OF A PERFORMANCE, AND TO PRODUCE A SCHOLARLY WORK ON THE MAIN ISSUES RELATED TO DRAMATURGY. |
| Prerequisites | |
|---|---|
| NO PREREQUISITES REQUIRED |
| Contents | |
|---|---|
| TITLE: THE WORK OF THE DRAMATURG. THE COURSE WILL HIGHLIGHT THE CHANGING RELATIONSHIP BETWEEN PAGES AND SCENE WITHIN CERTAIN HISTORICAL PERIODS. WILL EXAMINE THE MOST IMPORTANT DRAMATIC TEXTS OF THE EUROPEAN TRADITION AND WILL FRAME THEM IN THEIR PRODUCTION ENVIRONMENTS: THE GREATEST GREEK TRAGEDIOGRAPHY, THE SEVENTEENTH CENTURY ENGLISH , SPANISH AND FRENCH DRAMA, THE COMMEDIA DELL'ARTE E GOLDONI, THE BOURGEOIS EUROPEAN AND CONTEMPORARY. OF THE TEXTS DISCUSSED WILL BE PROJECTED SOME THEATRICAL OR CINEMATIC ACHIEVEMENTS IN ORDER TO EVALUATE THE CREATIVE CONTRIBUTION OF THE DIRECTOR INTERPRETER “DRAMATURG”. |
| Teaching Methods | |
|---|---|
| LECTURES, EXERCISES, SCREENINGS OF FILMS |
| Verification of learning | |
|---|---|
| THE EXAMINATION QUESTIONS WILL CONCERN THE CONTENTS OF THE COURSE. THE ABILITY TO APPLY THE KNOWLEDGE WILL BE VERIFIED BY DISCUSSION OF A SHORT PAPER AND BY A CONVERSATION ON THE BIBLIOGRAPHY OF EXAMINATION. |
| Texts | |
|---|---|
| JAN KOTT, DIVORARE GLI DEI, UN’INTERPRETAZIONE DELLA TRAGEDIA GRECA, MILANO, BRUNO MONDADORI, 2005. MARIAGABRIELLA CAMBIAGHI, LE COMMEDIE IN COMMMEDIA. RAPPRESENTAZIONI TEATRALI NELLA FINZIONI SCENICA, MILANO, BRUNO MONDADORI, 2009. PETER SZONDI, TEORIE DEL DRAMMA MODERNO, TORINO, EINAUDI, 2000. WE RECOMMEND READING OF THE FOLLOWING DRAMATIC TEXTS: ESCHILO: PROMETEO INCATENATO, ORESTEA (AGAMENNONE, COEFORE, EUMENIDI); SOFOCLE: EDIPO RE, ANTIGONE; EURIPIDE: MEDEA, ALCESTI; SHAKESPEARE: AMLETO, RICCARDO III, MACBETH; RACINE: FEDRA; GOLDONI: IL TEATRO COMICO; IBSEN: JOHN GABRIEL BORKMAN; CECHOV TRE SORELLE, IL GIARDINO DEI CILIEGI; STRINDBERG: IL PADRE, DANZA DI MORTE; GARCIA LORCA: LA CASA DI BERNARDA ALBA; BECKETT: ASPETTANDO GODOT, FINALE DI PARTITA. |
| More Information | |
|---|---|
| FREQUENCY IS STRONGLY RECOMMENDED |
BETA VERSION Data source ESSE3 [Ultima Sincronizzazione: 2022-05-23]
