Francesca DELL'ACQUA | HISTORY OF ART IN THE MEDITERRANEAN AND EUROPE BETWEEN THE MIDDLE AGES AND THE MODERN PERIOD
Francesca DELL'ACQUA HISTORY OF ART IN THE MEDITERRANEAN AND EUROPE BETWEEN THE MIDDLE AGES AND THE MODERN PERIOD
cod. 8803200009
HISTORY OF ART IN THE MEDITERRANEAN AND EUROPE BETWEEN THE MIDDLE AGES AND THE MODERN PERIOD
| 8803200009 | |
| DEPARTMENT OF CULTURAL HERITAGE | |
| P.H.D. COURSE | |
| METHODS AND METHODOLOGY IN THE ARCHEOLOGICAL AND ART HISTORICAL RESEARCH | |
| 2021/2022 |
| YEAR OF COURSE | |
| YEAR OF DIDACTIC SYSTEM 2020 | |
| FULL ACADEMIC YEAR |
| SSD | CFU | HOURS | ACTIVITY | ||
|---|---|---|---|---|---|
| STORIA DELL'ARTE NEI PAESI DEL MEDITERRANEO IN ETÀ MEDIEVALE E MODERNA - MOD.01 | |||||
| L-ART/01 | 2.5 | 5 | LESSONS | ||
| STORIA DELL'ARTE NEI PAESI DEL MEDITERRANEO IN ETÀ MEDIEVALE E MODERNA - MOD.02 | |||||
| L-ART/02 | 2.5 | 5 | LESSONS | ||
| Objectives | |
|---|---|
| THE AIM OF THE TEACHING UNIT FOR DOCTORAL STUDENTS IS TO INVESTIGATE METHODOLOGICAL QUESTIONS OF ART HISTORY OF THE MIDDLE AGES AND THE MODERN AGE IN EUROPE AND THE MEDITERRANEAN COUNTRIES THROUGH THE ANALYSIS OF VISUAL SOURCES AND SPECIFIC HISTORICAL CONTEXTS. |
| Prerequisites | |
|---|---|
| NONE |
| Contents | |
|---|---|
| THE MODULE IS DIVIDED INTO TWO BLOCKS OF 5 HOURS EACH HELD BY TWO PROFESSORS: LOREDANA LORIZZO (HISTORY OF MODERN ART) AND FRANCESCA DELL'ACQUA (HISTORY OF MEDIEVAL ART) AND FOCUSED ON EXEMPLARY CASES OF THE USE OF IMAGES IN THE FORMULATION OF THE HISTORICAL-CULTURAL DISCOURSE, USEFUL TO PROVIDE KEYS TO READING AND ELEMENTS OF METHODOLOGICAL DISCUSSION IN DEALING WITH THE ART OF THE PAST AS A LENS TO EXPLORE SPECIFIC CULTURAL CONTEXTS. |
| Teaching Methods | |
|---|---|
| LECTURES AND SEMINARS |
| Verification of learning | |
|---|---|
| ORAL EXAMINATION |
| Texts | |
|---|---|
| BIBLIOGRAFIA LORIZZO: (L’ARTE COME STRUMENTO DI CONOSCENZA: RACCONTARE SÉ E L’ALTRO TRA RINASCIMENTO E BAROCCO) •S. AYOOGHI & H. LANGE-KRACH, IMPRESSIONS FROM A JOURNEY. DÜRER'S OUTLOOK ON PEOPLE, LANDSCAPES AND ANIMALS, IN DÜRER'S JOURNEYS: TRAVELS OF A RENAISSANCE ARTIST, CATALOGO DELLA MOSTRA A CURA DI S. FOISTER, P. VAN DEN BRINK, AIX-LA-CHAPELLE, SUERMONDT-LUDWIG-MUSEUM, LONDRA, THE NATIONAL GALLERY, 2021/2022, LONDRA 2021, PP.185-203. •D. BIAGI MAINO, IL CANNIBALE E IL BUON SELVAGGIO: L'INVENZIONE DELL'AMERICA, IN IL MITO DEL NEMICO: IDENTITÀ, ALTERITÀ E LORO RAPPRESENTAZIONI, A CURA DI I. GRAZIANI E M. V. SPISSU, ARGELATO (BO) 2019, PP. 245-255. BIBLIOGRAFIA DELL’ACQUA (IL MEDIOEVO TRA GOMBRICH, HASKELL E CASTELNUOVO): •E. H. GOMBRICH, MEDITATIONS ON A HOBBY HORSE AND OTHER ESSAYS ON THE THEORY OF ART, LONDRA, PHAIDON PRESS, 1963; IT.: A CAVALLO DI UN MANICO DI SCOPA. SAGGI DI TEORIA DELL’ARTE. TORINO, EINAUDI, 1976, CAPITOLO 6 (“ACHIEVEMENT IN MEDIEVAL ART”). •F. HASKELL, HISTORY AND ITS IMAGES. ART AND THE INTERPRETATION OF THE PAST, NEW HAVEN, YALE UNIV. PRESS, 1993; IT.: LE IMMAGINI DELLA STORIA, TORINO, EINAUDI, 1997, CAPITOLO 9 (“THE MUSÉE DES MONUMENTS FRANÇAIS”). •E. CASTELNUOVO, VETRATE MEDIEVALI. OFFICINE TECNICHE MAESTRI, TORINO, EINAUDI, 1994, CAPITOLO 6 (“FORTUNA DELLE VETRATE”). |
| More Information | |
|---|---|
| FURTHER BIBLIOGRAPHICAL REFERENCES WILL BE OFFERED IN THE COURSE OF THE LESSONS. |
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