LANGUAGES AND THEORIES OF THE IMAGE A+B

Francesco VITALE LANGUAGES AND THEORIES OF THE IMAGE A+B

0322600156
DEPARTMENT OF CULTURAL HERITAGE
EQF7
PHILOSOPHY
2020/2021

YEAR OF COURSE 1
YEAR OF DIDACTIC SYSTEM 2017
SECONDO SEMESTRE
CFUHOURSACTIVITY
1LINGUAGGI E TEORIE DELL’IMMAGINE A
630LESSONS
2LINGUAGGI E TEORIE DELL’IMMAGINE B
630LESSONS
Objectives
I. KNOWLEDGE AND UNDERSTANDING: SPECIALIST APPLICATION OF THE MAIN AESTHETICS' TOOLS AND CATEGORIES TO THE LANGUAGE OF THE IMAGES, IN PARTICULAR IN ITS USE IN THE ARTISTIC USE OF PHOTOGRAPHY.
II. STUDENTS WILL APPLY ALL ACQUIRED KNOWLEDGE TO THE ANALYSIS OF IMAGES AND IN PARTICULAR OF PHOTOGRAPHY BOTH AS AN ARTISTIC PRACTICE AND AS TESTIMONY.
Prerequisites
NONE
Contents
MODULE A:
THE COURSE FOCUSES ON THE RELATIONSHIP BETWEEN CINEMA AND HISTORY IN A PERSPECTIVE IN WHICH CINEMA IS NOT ONLY UNDERSTOOD AS A HISTORICAL DOCUMENT BUT AS AN AGENT THAT PARTICIPATES AND PRODUCES THE HISTORY OF THE 20TH CENTURY.


MODULE B:
STUDY OF THE CINEMATOGRAPHIC WORK OF JEAN-LUC GODARD, HISTORIE(S) DU CINEMA THROUGH THE COMPARISON WITH THE PHILOSOPHICAL INTERPRETATIONS DEDICATED TO IT BY JACQUES RANCIÈRE AND ALAIN BADIOU.
Teaching Methods
THE CLASS AIMS TO GIVE THE NECESSARY CRITICAL TOOLS TO UNDERSTAND TEXTS AND SUBJECTS PURPOSED IN THEIR HISTORICAL CONTEXT.
Verification of learning
THE EXAMINATION SHALL CONSIST IN AN ORAL CHECK OF STUDENT'S CAPABILITIES TO USE SPECIFIC SKILLS CONCERNING THE FIELD OF THE HISTORY OF AESTHETICS. IN PARTICULAR, WILL BE ASSESSED THE CAPABILITY TO EXPOSE CLEARLY AND UNIVOCALLY CONTENTS AND METHODS ACQUIRED DURING THE COURSE.
Texts
MODULO A:
F. CASETTI, L'OCCHIO DEL NOVECENTO. CINEMA, ESPERIENZA, MODERNITÀ, MILANO, BOMPIANI, 2015.

MODULO B:
J. RANCIÈRE, "FAVOLE DEL CINEMA, STORIE DI UN SECOLO" IN ID., LA FAVOLA CINEMATOGRAFICA, PISA, ETS, 2006.

A. BADIOU, "SU HISTOIRE(S) DI CINÉMA DI JEAN-LUC GODARD" IN ID., DEL CAPELLO E DEL FANGO. RIFLESSIONI SUL CINEMA, COSENZA, LUIGI PELLEGRINI, 2009.
More Information
NONE
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