HISTORY OF GRAPHIC ART

Loredana Lorizzo HISTORY OF GRAPHIC ART

0322400032
DEPARTMENT OF CULTURAL HERITAGE
ART HISTORY AND CRITICISM
2015/2016

YEAR OF DIDACTIC SYSTEM 2014
SECONDO SEMESTRE
CFUHOURSACTIVITY
945LESSONS
Objectives
TEACHING AIMS TO PROVIDE TOOLS OF KNOWLEDGE AND METHOD FOR THE STUDY OF DRAWINGS AND ENGRAVINGS IN MODERN AGE AREA ITALIAN AND EUROPEAN.
Prerequisites
GOOD KNOWLEDGE OF ITALIAN LANGUAGE
Contents
THE COURSE WILL EXAMINE THE VARIOUS FORMS OF REPRODUCTION OF WORKS OF ART IN THE MODERN AGE, WITH PARTICULAR ATTENTION TO THE DEVELOPMENT OF ENGRAVING TECHNIQUES AND THE BIOGRAPHIES OF THE LEADING ARTISTS WORKING IN ROME IN THE SIXTEENTH AND SEVENTEENTH CENTURY. IT WILL REVIEW SOME CASE STUDIES, BEGINNING WITH THE SERIES OF PRINTS TAKEN FROM THE MICHELANGELO’S SISTINE AND THE FRESCOES OF RAPHAEL. IT WILL ALSO STUDY THE CIRCUIT OF PRINTERS IN RELATION TO THE PHENOMENON OF THE ART MARKET AND THE PRESENCE OF FOREIGN ARTISTS, MAINLY FRENCH, DUTCH AND FLEMISH, WHOM CONTRIBUTED SIGNIFICANTLY TO SPREADING THE WORKS OF ITALIAN ART IN EUROPE THROUGH TRADE PRINTS. TO ENABLE STUDENTS EFFECTIVE LEARNING, THROUGH DIRECT EXAMINATION OF THE WORKS DESIGNED AND ENGRAVED, WILL BE AGREED INSPECTION OF COLLECTIONS OF GRAPHIC AND MEETINGS WITH SPECIALISTS.
Teaching Methods
LECTURES
Verification of learning
FINAL ORAL EXAMINATION
Texts
E. BOREA, LO SPECCHIO DELL'ARTE ITALIANA. STAMPE IN CINQUE SECOLI, VOL. I, PISA 2010, PARTE I
(VOLUME DISPONIBILE NELLA BIBLIOTECA DI ATENEO)
More Information
CLASS ATTENDANCE IS HIGHLY RECOMMENDED
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