Loredana Lorizzo | HISTORY OF DRAWING, ETCHING AND GRAPHIC DESIGN
Loredana Lorizzo HISTORY OF DRAWING, ETCHING AND GRAPHIC DESIGN
cod. 0322400047
HISTORY OF DRAWING, ETCHING AND GRAPHIC DESIGN
| 0322400047 | |
| DEPARTMENT OF CULTURAL HERITAGE | |
| EQF7 | |
| ART HISTORY AND CRITICISM | |
| 2023/2024 |
| YEAR OF COURSE 1 | |
| YEAR OF DIDACTIC SYSTEM 2016 | |
| SPRING SEMESTER |
| SSD | CFU | HOURS | ACTIVITY | |
|---|---|---|---|---|
| L-ART/02 | 9 | 45 | LESSONS |
| Objectives | |
|---|---|
| GENERALE LEARNING OUTCOMES: THE COURSE INTENDS TO OFFER STUDENTS THE TOOLS NECESSARY TO KNOW AND UNDERSTAND DESIGN, ENGRAVING AND GRAPHIC ART BETWEEN THE FIFTEENTH AND NINETEENTH CENTURIES. THE AIM IS TO TRACE THEIR HISTORY BY CONTEXTUALIZING THEM WITHIN THE COURSE OF EUROPEAN HISTORY. KNOWLEDGE AND UNDERSTANDING: THE STUDENT WILL ACQUIRE THE APPROPRIATE TECHNICAL LEXIS AND, THROUGH SPECIFIC CASE STUDIES, THE KNOWLEDGE NECESSARY TO BE ABLE TO ANALYSE A GRAPHIC WORK AND ITS EVOLUTION THROUGH TIME. APPLYING KNOWLEDGE AND UNDERSTANDING: THE STUDENT WILL BE ABLE TO MOVE WITH SUFFICIENT DEXTERITY ACROSS THE VARIOUS GRAPHIC MEDIA, ANALYZING AND UNDERSTANDING THEIR SPECIFICITIES, RECOGNIZING ARTISTS AND GEOGRAPHICAL AREAS, CORRELATING WORKS TO THE ITALIAN AND EUROPEAN CONTEXT OF PROVENANCE. MAKING JUDGMENTS: THE STUDENT WILL BE ABLE TO EVALUATE GRAPHIC WORKS OF ART WITHIN THE HISTORICAL CONTEXT OF REFERENCE COMMUNICATION SKILLS: THE STUDENT WILL BE ABLE TO: RECOGNIZE AND CONTEXTUALIZE WORKS OF GRAPHIC ART WITH APPROPRIATE TECHNICAL LANGUAGE. LEARNING SKILLS: THE STUDENT WILL BE ABLE TO USE THE TRADITIONAL BIBLIOGRAPHICAL TOOLS AND THE COMPUTER RESOURCES FOR ANALYSIS AND ARCHIVING OF THE IMAGES; - CARRY OUT RESEARCH ACTIVITIES, UNDERSTAND AND INTERPRET COMPLEX TEXTS, OF A HISTORICAL ARTISTIC TYPE RELATED TO GRAPHIC ARTS; - PROCEED WITH THE CONTINUOUS UPDATING OF YOUR KNOWLEDGE, USING THE TECHNICAL AND SCIENTIFIC LITERATURE. |
| Prerequisites | |
|---|---|
| GOOD KNOWLEDGE OF ITALIAN LANGUAGE |
| Contents | |
|---|---|
| TEACHING WILL EXAMINE THE VARIOUS FORMS OF REPRODUCTION OF WORKS OF ART IN THE MODERN AGE, WITH PARTICULAR ATTENTION TO THE DEVELOPMENT OF ENGRAVING TECHNIQUES AND THE BIOGRAPHIES OF THE LEADING ARTISTS WORKING IN ROME AND NAPLES IN THE SIXTEENTH AND SEVENTEENTH CENTURY. IT WILL STUDY THE CIRCUIT OF PRINTERS IN RELATION TO THE PHENOMENON OF THE ART MARKET AND THE PRESENCE OF FOREIGN ARTISTS, MAINLY FRENCH, DUTCH AND FLEMISH, WHOM CONTRIBUTED SIGNIFICANTLY TO SPREADING THE WORKS OF ITALIAN ART IN EUROPE THROUGH TRADE PRINTS. TO ENABLE STUDENTS EFFECTIVE LEARNING, THROUGH DIRECT EXAMINATION OF THE WORKS DESIGNED AND ENGRAVED, WILL BE AGREED INSPECTION OF COLLECTIONS OF GRAPHIC AND MEETINGS WITH SPECIALISTS. |
| Teaching Methods | |
|---|---|
| FRONTAL LESSONS. CLASS ATTENDANCE IS HIGHLY RECOMMENDED |
| Verification of learning | |
|---|---|
| AN ORAL EXAM WILL ASSESS THE ACQUISITION OF THE SPECIFIC COMPETENCES, THE DEGREE OF HISTORICAL, METHODOLOGICAL AND CRITICAL KNOWLEDGE, AND THE MASTERY OF THE TECHNICAL LANGUAGE OF THE FIELD ACHIEVED THROUGH A READING OF THE TEXTS IN THE REFERENCE BIBLIOGRAPHY. |
| Texts | |
|---|---|
| F. NEGRI ARNOLDI, S. PROSPERI VALENTI, IL DISEGNO NELLA STORIA DELL’ARTE ITALIANA, ROMA 2015, CAROCCI EDITORE, CAPITOLI 1, 3, 4, 5, 7. LE TECNICHE D’INCISIONE A RILIEVO. XILOGRAFIA, A CURA DI G. MARIANI, ROMA 2001, PP. 9-54 LE TECNICHE CALCOGRAFICHE D’INCISIONE DIRETTA. BULINO PUNTASECCA MANIERA NERA, A CURA DI G. MARIANI, ROMA 2012, PP. 9-83 LE TECNICHE CALCOGRAFICHE D’INCISIONE INDIRETTA. ACQUAFORTE. ACQUATINTA LAVIS CERAMOLLE, A CURA DI G. MARIANI, ROMA 2005, PP. 5-61 IL DISEGNO. I GRANDI COLLEZIONISTI, MILANO 1992, PP. 11-141 L. LORIZZO, DIVERSITÀ SOTTO TORCHIO. RAPPRESENTARE E DIVULGARE L'IMMAGINE DELL'ALTRO TRA RINASCIMENTO E BAROCCO, PISA 2022 |
| More Information | |
|---|---|
| DIDACTIC AND BIBLIOGRAPHIC MATERIALS WILL BE MADE AVAILABLE TO STUDENTS DURING THE COURSE |
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