Aurora Maria EGIDIO | THEORIES AND PERFORMATIVE TECHNIQUES IN MUSIC AND PERFORMING ARTS IN THE CONTEMPORARY AGE
Aurora Maria EGIDIO THEORIES AND PERFORMATIVE TECHNIQUES IN MUSIC AND PERFORMING ARTS IN THE CONTEMPORARY AGE
cod. 8861400023
THEORIES AND PERFORMATIVE TECHNIQUES IN MUSIC AND PERFORMING ARTS IN THE CONTEMPORARY AGE
| 8861400023 | |
| DEPARTMENT OF CULTURAL HERITAGE | |
| Corso di Dottorato (D.M.226/2021) | |
| METHODS AND METHODOLOGY IN THE ARCHEOLOGICAL AND ART HISTORICAL RESEARCH | |
| 2024/2025 |
| OBBLIGATORIO | |
| YEAR OF COURSE 2 | |
| YEAR OF DIDACTIC SYSTEM 2023 | |
| AUTUMN SEMESTER |
| SSD | CFU | HOURS | ACTIVITY | ||
|---|---|---|---|---|---|
| TEORIE E TECNICHE PERFORMATIVE NELLA MUSICA E NELLO SPETTACOLO DELL'ETÀ CONTEMPORANEA MOD. 01 | |||||
| L-ART/05 | 2.5 | 5 | LESSONS | ||
| TEORIE E TECNICHE PERFORMATIVE NELLA MUSICA E NELLO SPETTACOLO DELL'ETÀ CONTEMPORANEA | |||||
| L-ART/07 | 2.5 | 5 | LESSONS | ||
| Objectives | |
|---|---|
| THE COURSE OF THEORIES AND PERFORMATIVE TECHNIQUES IN MUSIC AND THEATRE OF THE CONTEMPORARY AGE IS DIVIDED INTO TWO MODULES THAT INSIST RESPECTIVELY ON THE SSD L/ART-05 (PERFORMING ARTS) AND SSD L/ART-07 (MUSICOLOGY AND HISTORY OF MUSIC). AIMED AT PHD STUDENTS OF THE CURRICULUM OF MUSICOLOGY AND PERFORMING ARTS, THE COURSE AIMS TO OFFER THEORETICAL TOOLS AND METHODOLOGIES OF ANALYSIS USEFUL FOR THE CRITICAL INTERPRETATION OF PERFORMATIVE PRACTICES ALSO IN A MEDIATIZED DIMENSION. KNOWLEDGE AND UNDERSTANDING: THE PH STUDENT - WILL KNOW SPECIFIC ASPECTS OF CONTEMPORARY THEATRE AND MUSIC - WILL UNDERSTAND HOW TO DYNAMICALLY RELATE IT TO OTHER ELEMENTS OF PERFORMING ARTS APPLYING KNOWLEDGE AND UNDERSTANDING: THROUGH THE COURSE THE PH STUDENT WILL BE ABLE TO - ANALYZE IN DETAIL AND WITH PERTINENT LANGUAGE THE THEORIES EXAMINED - FRAMING WITH CLARITY AND PRECISION THE MAIN ACTING SYSTEMS DEVELOPED IN CONTEMPORARY THEATRE MAKING JUDGMENTS: PH STUDENTS WILL DEVELOP CONCEPTUAL TOOLS AND CRITICAL SKILLS FOR AUTONOMOUSLY EVALUATING METHODOLOGICAL-HISTORICAL ISSUES, SOURCES, MATERIALS AND SPECIFIC LANGUAGES OF THEATRICAL AND MUSICAL DISCIPLINES, AS WELL AS OF OTHER ARTISTIC DISCIPLINES. COMMUNICATION SKILLS: PH STUDENTS WILL BE ABLE TO COMMUNICATE THEIR KNOWLEDGE AT DIFFERENT LEVELS (BOTH TO AN AUDIENCE OF EXPERTS AND TO ONE OF NON-SPECIALISTS), WITH SPECIFIC LANGUAGE PROPERTIES AND LEXICAL SKILLS, AND USING THE MOST APPROPRIATE KIND OF LANGUAGE FOR EACH CIRCUMSTANCE. LEARNING SKILLS: PH STUDENTS WILL BE ABLE TO UNDERSTAND AND INTERPRET COMPLEX TEXTS AND USE BIBLIOGRAPHIC TOOLS, TO IDENTIFY AND SELECT THE SCIENTIFIC LITERATURE USEFUL FOR INCREASING THEIR KNOWLEDGE |
| Prerequisites | |
|---|---|
| THE COURSE REQUIRES KNOWLEDGE OF THE HISTORY OF MODERN AND CONTEMPORARY THEATRE AND HISTORY OF MODERN AND CONTEMPORARY MUSIC |
| Contents | |
|---|---|
| ISSUES OF MUSICAL PHILOLOGY, PROBLEMS OF MUSICAL HISTORIOGRAPHY, ISSUES RELATED TO HISTORICAL PERFORMANCE PRACTICE. POETICS ABOUT ACTOR IN CONTEMPORARY THEATRE |
| Teaching Methods | |
|---|---|
| LECTURES. ANALYSIS OF THEATRICAL AND MUSICAL PERFORMANCES AND RELATED SOURCES: TEXTS, DOCUMENTS, AND AUDIOVISUAL MATERIALS" |
| Verification of learning | |
|---|---|
| ORAL EXAM |
| Texts | |
|---|---|
| LA MUSICA FRA TESTO, PERFORMANCE E MEDIA: FORME E CONCETTI, A CURA DI ALESSANDRO CECCHI, ROMA, NEICLASSICA, 2019 NICHOLAS COOK, BEYOND THE SCORE: MUSIC AS PERFORMANCE, OXFORD, OXFORD UNIVERSITY PRESS, 2013 FURTHER BIBLIOGRAPHICAL INFORMATION WILL BE GIVEN AT THE BEGINNING OF THE LESSONS |
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